Who is Pascale Monvoisin?
Pascale was born in Paris, but her soul belongs to the world. A child of the 1970s, she grew up steeped in the rich visual culture of France—Parisian elegance, yes, but also the creative freedom of the bohemian Left Bank and the unpolished beauty of flea markets and found objects. It wasn’t high fashion that called to her, but texture, history, and the hum of stories embedded in everyday things.
Her path was not a straight line—it was a spiral. Before she ever carved gold or set stones, she trained her hands through painting and sculpture. Then, in her twenties, she became a flight attendant, moving between countries, time zones, languages. She carried a sketchbook in her bag and it was during these years in the sky—between continents and clouds—that Pascale became a collector of materials.
She gathered silks from India, coral from Italy, talismans from Morocco. Each lay dormant for a time, waiting for her to create a language where they could speak again. That language became her jewelry.
Pascale taught herself to make what she wanted to wear. With no formal training in jewelry, she leaned on intuition and instinct—skills she had long been cultivating as an artist and wanderer. Her first designs were rough, honest, soulful. Not showpieces, but story-pieces. Gold mixed with humble shell. Diamonds set beside scarred turquoise. Her now-iconic Pierrot and Orso rings—moody, poetic, undone—emerged like whispers from the subconscious.
Since founding her brand in 2009, Pascale Monvoisin has cultivated an unmistakable aesthetic that resists trend and embraces soul. Her Parisian atelier is more like an artist’s studio than a production house, and each piece reflects that: sensual, irregular, deeply felt. A ring might hold a slice of opal the color of desert dusk. A necklace might center a seashell found years ago, now encased in rose gold, worn like a relic of past lives.
Her materials come alive in the hand. Raw emeralds, sun-faded coral, old-cut diamonds, antique gold. Nothing too polished. Everything intentionally chosen.
"Pascale’s work belongs to the woman who understands that luxury isn’t loud—it’s lived-in. The woman who seeks beauty not in perfection, but in presence. Someone who slips on a necklace not for others to see, but because it reminds her of who she is."
Her jewelry isn’t about sparkle—it’s about soul. And we at Kinship Station are honored to share it with you.
For Those Who Seek Jewelry That Is Talismanic
To wear Pascale Monvoisin is to choose intimacy over opulence, story over spectacle. Her pieces are not just worn—they are felt. They are not decorations, but quiet companions.
This is jewelry for those who walk the edges of things. For the woman who listens to her intuition like a compass. Who touches her necklace before speaking. Who slips on a ring not because it matches—but because it holds a memory, a prayer, a fragment of who she’s becoming.
Talismanic jewelry is not about trends—it’s about resonance. It is personal, instinctive, symbolic. In Pascale’s work, every stone, every imperfection, every setting carries intention. A shell becomes a relic. A sliver of tourmaline becomes protection. A bone fragment becomes remembrance. These are not just materials—they are messengers.
"In a world of overexposure and mass replication, talismanic jewelry is a return to the sacred, the secret, the soulful. It reminds us that what we wear can ground us, shield us, and whisper truth to our skin."
We carry Pascale Monvoisin because she crafts for those who want their adornment to mean something — like a ritual of remembrance, a reflection of the soul. Her jewelry honors process. It honors imperfection. It is beauty and intimacy.
Pascale’s work echoes our ethos. At Kinship Station, we let ourselves be guided by intuition, informed by history, and rooted in reverence. Every piece feels found rather than made—like something you might discover in your grandmother’s drawer or in the folds of your own becoming.
Three Ways to Meet a Pascale Monvoisin Piece
For the Ritualist
Not all rituals look like ceremony. Some are quiet. Some are made of repetition. Some are stitched into the rhythm of ordinary days. Pascale's jewelry offers a way to anchor those moments—to make the invisible visible.
Slip on the Chiara Ring before morning meditation, its antique diamond catching the soft light—let it hold the prayer you haven’t yet spoken, the one forming slowly in your heart. Let it be your reminder to return, again and again, to yourself.
Wear the Iman Crystal Amulet during your new moon rituals—when you're calling in clarity, protection, or change. Let the natural quartz serve as your amplifier. You don’t have to say much. The energy will know what to do.
For the Aesthetic Devotee
The aesthetic devotee moves through the world guided by instinct and beauty, curating their life with quiet precision. Jewelry must feel as good as it looks.
Wear Pascale pieces to expand your palette — like adding new chords or pigments. Fold them into your language of self.
For the Collector
No two Pascale Monvoisin pieces are quite alike. Each stone is a singular entity—selected for its texture, nuance, and quiet power.
To a true collector, the Pierrot signet ring and the Orso bracelet are essentials — two of Pascale’s most iconic creations with her signature composition of antique-cut diamonds embedded in warm gold. It recalls both vintage sentimentality and minimalist modernism. It feels as if it could have been found in a timeworn velvet box in Paris—or gifted during a moment that changed your life.
Both carry the weight of quiet legacy, The kind you reach for daily, and pass down eventually —intimate, understated, unforgettable.
Your Invitation
Adorn yourself.
Wear what remembers you back.
Let each piece be a map to the you that is becoming.
Explore our Pascale Monvoisin collection at our flagship store in Topanga or online.
With reverence,
The Kinship Station Team